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Box 79341
Los Angeles, CO 90079

213-614-1757

Textiles for early twentieth century and Arts & Crafts decor. We've been sewing for over 20 years. Curtains, shades, bedding accessories and many more resources for those who admire vintage style.

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Ann's Arts and Crafts Textile Blog

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I will blog once a month, approximately on the 15th

 

Vernacular Interiors From Keith's Magazine

ann wallace

Many years ago I was given copies of some treasures photos of REAL Arts and Crafts interiors. they were old negatives of pictures taken for Keth’s Magazine, found, I’m not kidding, in a barn in Minnesota where I then lived. I love these photos and have referred to them frequently over the years. You’ll see some of them scatter over the website.
Looking at old photos is a bit different. High contrast dark colors and lights pale colors - this, with less controlled lighting than we're used to, can make them difficult to read. Reds photograph as very black, blues fade, unfiltered and controlled lighting makes hot spots. Values tend to be flattened out so that some wood grains almost   look like tiger strips (note floors in these pictures).
Of course, many bungalows were starter homes and this seems to show in some of the furnishings. A young couple may not have a couch yet or may be making do with a very small dining room table. There is quite a bit of wicker used indoors - this would have been considered somewhat inappropriate, but it was less expensive than wood furniture
Look for hardware, lighting fixtures, moldings, window cover and other textiles ideas in old photos.

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Craftsmen oak and beautiful beams, but look at the colonial revival hall seen through the archway, not to mention the out-of-place chandelier. On the other hand, I think the early American-ish chairs with their turned work, look just fine. Notice the plates displayed on the very high plate rail and the portieres in the archway. There's an entertaining sense of the owner's personality in the lavish display of decanters on the sideboard.

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Here's a room with some really lovely lighting fixtures and what I suspect is a beautiful tile fireplace if only we could see it better. There is a nice pendent border at the ceiling molding - I THINK in a wallpaper although it may be a complex stencil.

I've noticed that in these old dining room pictures most the chairs are against the wall and out of the way. This would be easier on the floors and carpets which can get quite abused from the endless moving of chairs at the table. It's unusual to see French doors without curtains so I think these must open to a very private garden or patio.

Note the Queen Anne style chairs. I think the period style can work very well in a Craftsmen interior if you want to mixed it up or just have some old family furniture.

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This room would look less cluttered with the contrast in the photo were not so high. Still, even with built-ins including window seats, they managed to squeeze in a nice Craftsmen settee, a Morris chair and and arm chair as well as a library tablea desk and a particularly out of place wicker chair. Note that all though the curtains are very simple, they DO have a valance on the front windows. The shadow that you see is probably from a porch roof or an awning although there very likely are shades as well.

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This room is really more Art Deco then Craftsmen based on the enameled furniture and the suggestion of that classic Deco color, eau de Nile. I couldn't resist the window treatment though -  a typical use of multiple sheers - 2 per window for a total of SIX - with over curtains and a hint of shade behind the sheers. Without air conditioning, all these would be called in to play to keep the room cool and also to protect the decor from sunlight.

And below, some final color!. Fabric was often printed in narrow width, directional, border fabrics specifically to be used for draperies - just finish each end and you're good to go. In the black and white photos of the times these cannot be appreciated so it's lovely to see some actual fabric from the collection of Diane Ayres.

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Adding Weight …to curtains! Not bodies!

ann wallace

Vintage Curtain Weight package

Vintage Curtain Weight package

Contemporary curtain chain

Contemporary curtain chain

Vintage curtain weights, some with fabric covering

Vintage curtain weights, some with fabric covering

Close up of vintage curtain weight

Close up of vintage curtain weight

My general recommendation is to let your draper decide what kind of weight is right. If you are sewing yourself, casual cafe curtains or unlined draperies need not be weighted. If you are making substantial draperies, you are probably pretty skilled and have your own opinion for will do what works best for your fabric and construction!

Contemporary curtain weight

Adding a bit of metal to the edge of fabrics is a very, very old technique. Heavy chain is added to theatrical curtains to help them fall properly - often so heavy that it is often inserted in to a canvas pocket and not directly to the drapery hem which it might tear. A heavy rod or “crash bar” is crucial to the working of a Roman shade, helping it drop easily and keeping it flat.

Weights are often added to very structured clothing, like men’s jackets, or to hems to keep them stable. Most of you know about the weights or chain that are sewn in to Queen Elizabeth's hems so that her skirts NEVER blow up, no matter how rough the winds. Coco Chanel famously sewed chain in to the hems of her classic jackets to make them hang properly and there is a wonderful discussion of this on the Courtauld Institute blog.

http://blog.courtauld.ac.uk/documentingfashion/2016/02/19/a-quick-preview-of-our-study-trip-in-new-york/

Still, I am a bit on the fence about weights in curtains. Mostly, I feel that simple unlined curtains should not be weighted. They are meant to flutter around in the breeze a bit. If the curtains are more than a fabric width wide or rather long, then weights can help the training process of getting those nice vertical folds and can help in places like the seams and vertical hems where the fabric may pull up a bit.

Otherwise I would leave the weights out. Linen particularly can stretch and a lighter weight linen (like handky weight) can end up longer at the weighted corners.

Weights come in singles, so to speak, and chain. They are lead and nowadays encased in vinyl or cord. Properly (and in the old days for fine sewing) they should be in muslin. Sometimes on line you see someone showing an old weight and wondering if it’s a weird kind of button. They should never however be on the exterior of a textile. They are LEAD after all.

Note: It’s possible to use other materials (like quarters or pennies) but they really don’t have the weight to be useful in my opinion.

I prefer individual weights to the chain. The modern lead chain is not very heavy and it can make a little lump or ridge at the hem. In this case, you may use chain of another material besides lead although it will probably have to be bulkier. For more substantial or interlined drapes this is not a problem.

 

 

 

 

 

 

 

 

 

 

What a Difference a Color Makes!

ann wallace

I'm always amazed at how different a design looks in a new color way. Part of the fun for us if our customers' ideas about colors. Look at these dragonflies....a design that seem to inspire a lot of creativity!

Purple, rose & antique gold

Blue, loden and antique gold

Blue, tangerine & gold

Rose, purple & bright teal

Rose, purple & bright teal